There are lots of online photos of wonderful hexagon blankets, like this one, but nearly everyone seems to use the same pattern.Baubles, you ask? There are actually two 'on the go', but not enough hours in the day...
There are lots of online photos of wonderful hexagon blankets, like this one, but nearly everyone seems to use the same pattern.
These pictures are from an old website called Morphographic created by Michael Spall, which doesn't seem to have been updated for about five years.
None of these are real objects, they are computer graphics, but some of them are beautiful -
or unusual!
Most of the links are broken, so I can't tell you more about them, or their creators.
Apart from our sparse rainfall, these get no water at all, but they don't seem to care. I've been picking great bunches of the stuff, and the house smells divinely lemony.
Brenda and Chris debated how to put together a heap of half-square triangles.
(some people don't want their faces shown in photos, but Chris didn't mind at all)
Christine sewed the blocks together.
Now we can see where this is going....
Someone was well organised with pre cut strips
While Julie pondered a collection of half-finished blocks...
The base is 5" across, just the right size for a Bauble-in-progress.
I took the coward's way and sewed the base on by hand, covering the join with some glitzy braid.
Note the hand worked buttonholes for the drawstring.
An embroidered posy on each side finishes it off. This was so much fun to make, I think I might make another one...
And just because she seems to fit here, rosa Reine des Violettes, with ruching far more beautiful than anything I could sew.
This was her workbasket (though from the style of it, possibly my grandmother's originally). I inherited it when Mum died, and brought it out today to compare with the project I've just finished.
The dear old basket is crumbling now, and the lining is perishing. But wasn't it grand?
These scraps were tucked into one of the corner pockets. I don't know where the lace originated, or the lovely button, but the embroidery came from summer pyjamas that Mum had in her trousseau. Her work is finer than anything I could do - perfect satin stitch berries in shaded cotton, and the tiniest of chain stitches for the leaves and stems. And it's worked on art silk, which was really a kind of rayon (would have been done in the 1930's, as Mum married in 1939).
The cloth under the basket is coarser, embroidered in thick, unplied silk thread. The back, of course, is almost as neat as the front. This was intended for a cushion cover, but never made up.
I've never had a workbasket, but recently I bought this sewing box. A cheap, possibly Chinese, import, it was finished in that peculiar red stain that tends to come off on your hands.
A scrub and polish fixed that, and I turned my attention to the interior, which was roughly lined with cheap, nasty cotton.
But look at it now! I lined it in an olive-y green furnishing fabric, and added pockets on the lids.
This will be my Bauble-box, holding all the threads and equipment for decorating a Bauble.